La mujer como imagen, el hombre como portador de la mirada
SYNOPSIS
Program Information
Projected with Todas mis cicatrices se desvanecen en el viento | 7h:15 – Merle noir
Mirror: ESTE NO ES TU JARDÍN
Stills
Critical text
This work, created in solitude by Carlos Velandia, is composed of thousands of fragments: from films, but also gazes, bodies, and faces. La mujer como imagen, el hombre como portador de la mirada takes the form of an experimental video essay as a tribute to Laura Mulvey’s contribution to feminist film theory. Images of women across one hundred years of Hollywood history (1910–2010) coexist in every shot, which, through a single gesture, call into question the archetypes of female representation within an industry that is eminently Western and heteropatriarchal. DANIELA URZOLA
BIOGRAPHY
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Film Programmer and filmmaker whose work focuses on the cultural impact of hegemonic audiovisual language. He has been invited as a curator and jury member at events such as the Festival du Nouveau Cinéma (Montreal, Canada) and the Bogotá International Film Festival; he has been selected as an Emerging Latin American Film Programmer by the Locarno Film Festival (Industry Academy International - 2020) and by Talents Buenos Aires (2021). His work as a filmmaker has been showcased in festivals such as the Annecy International Animation Festival, the Festival de Cinema Latino-Americano de São Paulo and has competed for the CILECT Best Documentary Prize.
