When cinema was young, the definition of its specificity, or finding what made it different and unique, was necessary in order to enhance its value and place it in the Olympus of the Arts. Some of the distinctive features attributed to cinema are the strong identification between reality and representation, the synthesis of all the elements of the old arts in a new one, the collective experience of the spectators in the movie theater or the montage of images and sounds. The exploration of these aspects, and many others, by thousands of filmmakers over time has created layers of history of cinema, a hegemonic language and a multitude of deviations. In the eagerness to classify cinema, lists gathering the best films in history have been created, which perhaps tell much more about the society that proposes them than about cinema itself. In the same way, Sound & Sight & Time perhaps speaks more about me than about Citizen Kane, Vertigo or Jeanne Dielman.