After her first full-length film, Tal día hizo un año in 2020 (which has a projection as a session of Pasajes FILMADRID in 2021), the Spanish-German filmmaker Salka Tiziana returns to shoot in Spain, this time in Madrid and without leaving the rural world that seems to be the natural place for her films. In Todos los sonidos entran adentro she creates an illuminated portrait of Casa de Campo as a space where opposing, but surprisingly not contradictory, forces meet: the countryside and the city, the animal and the machine, wild and domestic, freedom and oppression. With an observational capacity, very attentive to small details, the film finds its main harmony and skill in the exploration of looking at what is already known. In this case, a shepherding work that could be conventional if it were not for the fact that the environment gradually produces a strangeness that borders with sci-fi. This huge park next to the city appears with all its distinctive elements, the sheep, the amusement park, the zoo, the picnic areas, the remains of the civil war and even the cable car’s shadow and it is shown as a last bastion of the rural in Madrid, like a dream, an ecosystem of its own that seems to be able to live in balance with the ghost of the city that lurks, with its night lights, in the distance. NURIA CUBAS