In Between the Walls of Perception

Pablo Martínez Ballarín's film takes us through animation into the folds of human visual perception. If time, following Aristotle, is the difference in the intensity of a movement according to before and after, this film makes us aware of its play of dimensions through the superimposition of different segments of movements, in which the stop motion technique explores the entrails of a filmic device whose mechanism consists of temporal self-awareness. RAMÓN DEL BUEY