Bring Me the Head of Carmen M.

The paraphrase of the famous piece by Sam Peckinpah does not throw too many interpretative clues about this filmic gem, whose dream-like and vital imaginary slides a social radiography as acute as it is opportune of the popular aspirations that prefigure the construction of a cathartic future, all through the encrypted and innocent rereading of the figure of Carmen Miranda. His intelligence competes with his technical subtlety, crystallizing in a fascinating audiovisual prospecting towards the contemporary political unconscious of Brazil. RAMÓN DEL BUEY