Ari y Yonay pasan el rato

An exercise in time, experimentation, montage, allegory. This film, perhaps one of the most suggestive of the year, explores the quot of the everyday, the circle of routine, of the passing of time itself, that which is almost anti-filmic but which reveals a strange imposture or, perhaps, a strange performativity of the everyday which, through the camera, seduces us with its transparency and lightness. Very much in the vein of the cinema of Željka Suková or Vera Chytilova, a question resounds as we learn to debate in boredom: what is this doing nothing? PAULA LÓPEZ MONTERO