Alberto Van den Eynde's piece investigates two conceptions of the image: as a capturer or reanimator of past moments and as a cause of the anguish involved in their recovery. The author's approach to the self of twelve years ago is articulated through a mosaic of holiday videos found in an old family camera. These memories form a touching nostalgic and self-parodic warp, the digital remnants of a new generational sensibility. RAMÓN DEL BUEY