After loss comes the void. This is where we find Audrey (Deragh Campbell), a woman drenched in grief, asking objects around her for coincidence and comfort. Immersed in a state of profound mourning, her perception seems to be deceitful and is suddenly enhanced. Meanings start to appear from every corner of experience and, through the works of Hilma af Klint and Wassily Kandinsky, she starts feeling a true connection with those who are now gone. Colour and texture begin to speak. Is it a process of magical thinking? Or are paintings really a portal between worlds? Point and Line to Plane is more of a movement than meditation, it is a materialization of the sensorial nature of sorrow.